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Doi: Journal of Nobility Studies. Save to Library. Burgundian Afterlives. Appropriating the Dynastic Past s in the Habsburg Netherlands more. Chivalric Solidarity or Royal Supremacy? Founded in , the Order of the Golden Fleece was perhaps the most iconic dynastic institution in the Low Countries. It bound together a selective group of high nobles, promoting shared values and loyalty, and was an inexhaustible It bound together a selective group of high nobles, promoting shared values and loyalty, and was an inexhaustible storehouse of political imagery.

The Dutch Revolt seriously disrupted this venerable company. Its officers became estranged, the numbers of knights rapidly declined, and original objectives were questioned. Publication Date: The Embellished Past.

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Heraldry and Insignia of the House of Arenberg more. Een verbloemd verleden.


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De heraldiek en eretekens van het Huis Arenberg more. Publication Date: Publication Name: M. Derez, S.

What is a Coat of Arms?

Verbrugge, eds. Portret van een familie, verhaal van een verzameling, Turnhout: Brepols, , Publication Name: The Key to Power? The Culture of Access in Princely Courts, , ed.

Heraldry and Regalia of War

Matter s of State. By the sixteenth century, every regime had developed its own armorial patrimony consisting of prominent signs and associated practices. Increasingly defined as an inalienable prerogative, the royal coat of arms acquired its own history, Increasingly defined as an inalienable prerogative, the royal coat of arms acquired its own history, mythology, and iconographic tradition. As a material artefact it pervaded social interaction, appearing on seals, monuments, town gates, coinage and various other media.

More than being a mark of ownership or a signet to authorize the sign basically multiplied the ruler in every part of the dominion and disclosed the complete body politic. Ideological narratives furthermore attributed it a far reaching continuity and political relevance. Yet, so far, historians only paid attention to medieval exponents. When the subject is tackled within a broader survey on princely image-building it is usually set aside as another instance of confirmative propaganda. This dissertation, however, revalues royal heraldry as a vital instrument for the negotiation of power.

Continuous strategies of heraldic appropriation created new meaning in an interactive interplay of actors and circumstances — both from above and from below. What were the motivations and limits? Which actors were involved? What does it reveal about the role of seemingly static images in the vibrant political field? In this respect, a comparison between the French and Spanish Monarchies reveals significant similarities and differences. Because the precise mechanisms and strategies of appropriation are pre-eminently visible when they are questioned openly, the study is built around representative case studies of specific controversies and moments of crisis.

The successive chapters delve deeper into several aspects such as heraldic polemics, literary re interpretation, the agency of heraldic artefacts, the subversive potential of royal grants of arms and very significant yet understudied exploits of heraldic iconoclasm.

How to Steal the King's Body? Corporeal Identification of Princely Pretenders in the Renaissance more. Publication Date: Publication Name: Micrologus. More Info: published in 'The Court Historian', , p. The Emblazoned Kingdom Ablaze. Besides being deeply entangled with learned discourse, coats of arms had a Besides being deeply entangled with learned discourse, coats of arms had a material dimension which empowered them with the agency to produce the abstract presence of rulership. Such heraldic iconoclasm and subsequent symbolic reconfiguration appeared prominently at the height of the French Wars of Religion, when the political foundations of monarchy were openly questioned.

Armorial assaults against Henri III, foreshadowing his physical assassination, repudiated his kingship and affected the heraldic representation of the body politic. Eventually, the potency of royal arms overcame this existential confusion. Forging a dynasty. Burgundian and Habsburg births and baptisms in the Netherlands more. More Info: unpublished master's thesis, KULeuven Perkin Warbeck en de constructie van een 'vorstelijke identiteit' more.

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De valse Isaac de Caille en het bijna-succesverhaal van religieuze intolerantie, more. Tijdschrift voor Volkscultuur in Vlaanderen', 4 , Journal of Iconographic Studies', 5 , More Info: published in 'Tijdschrift voor Geschiedenis', , Publisher: ir.

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View on ingentaconnect. Passages: het interbellum en de Tweede Wereldoorlog more. Secondary Education. From Lineage to Sovereignty? Tudor England , Heraldry , and Mary Stuart. Receiving a Duke, Summoning the King. The subsequent The subsequent set of joyous entries organized in Flemish and Brabantine cities in the beginning of were exceptionally splendid events.

The abundantly documented ceremonial that was staged on these occasions has already been the subject of in-depth scholarly analysis. However, being mostly studied from the angle of local urban relations to a new overlord, this contribution argues that an important underlying notion has been neglected hitherto.

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A close-reading of the visual strategies and composition of the rituals indeed demonstrates how various stakeholders vied for a more privileged position in the new political landscape. Rather than promoting a smaller prince to sovereign dignity, the symbolic repertoire of the entry tried to invoke a more firm alliance with the French king than could be reached by any means of diplomacy. Spaces of Many-Faced Majesty. It is commonplace that princely ensigns armorial embodied dynastic continuity and rightful territorial possession. Either impressing elites in an exclusive palace setting or showered upon the masses by the ephemeral machinery of festive Either impressing elites in an exclusive palace setting or showered upon the masses by the ephemeral machinery of festive spectacle, they are usually considered straightforward instruments of worldly domination.

However, their iconography was often more complicated. Such fluid and potentially conflicting merger of different constituents found an even more intricate expression in the great urban churches of Brabant and Flanders. Within these sacred confines, profane signs of century-old dynastic bonds interacted with a variety of communal markers, as well as with the attributes of Supreme Majesty. As the venue of significant dynastic rites, the church interior was temporarily transformed into an ultimate sanctum of Burgundian-Habsburg power, while retaining its multi-semantic guise.

The present contribution explores how both local dissenting stakeholders and the government actively exploited this ambiguous armorial presence in the realm eternal to safeguard communal cohesion and to reset the limits of royal authority. They did so, not by directly targeting the isolated sign, but by manipulating its connection to sacred space.

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follow The Eagle Resurrected. The imagery of the imperial eagle ranks among the most enduring legacies of the Roman Empire. As the bird of Jupiter and the foremost military ensign, the eagle aptly expressed the dual role of the emperor as high priest and supreme As the bird of Jupiter and the foremost military ensign, the eagle aptly expressed the dual role of the emperor as high priest and supreme commander. With the construction of a renewed empire in Western Europe, the theme recovered in a new visual surrounding.

By the s the animal had reached a stylized heraldic form as the iconic two headed eagle. Yet, the theme far from petrified in the early modern period. A prolific interaction between various traditions enabled the image to adapt to specific political ambitions. Especially the rulers of a unified Iberian Peninsula reworked its iconographic attributes to endorse their claims on global power.